Mike Bordin began playing Yamaha Drums as a teenager and turned down almost every other company’s endorsement offers. He believed that Yamaha Drums were superior as a teenager and still does to this day.
Mike Bordin played in Faith No More for 16 years, and sold numerous records. He has toured internationally and depended heavily on the drums and hardware to develope a personal sound.
Some other artists Mike has performed or recorded with are Ozzy Osborne, Jerry Cantrell and Korn. Mike is currently on tour with Ozzy.
It should come as no surprise that Bordin, who has pounded skins for ironic metallists Faith No More, classic metallist Ozzy Osbourne, and millennial metallists Korn, draws from many sources. “The drummers I worship as gods among men are guys like Art Blakey, Tony Williams, John Bonham. But I don’t try to be some of the drummers I look up to. I just take them with me wherever I go.”
With Faith No More, Bordin pioneered an innovative style that emphasized full-kit, tom-driven grooves over tight kick-and-snare patterns;an approach, he says, that was a direct outgrowth of his studies with West African master drummer C.K. Lapzekpo. Many other heavy drummers gravitated toward a similar style during the ‘90s. Does Bordin ever feel they jumped on his bandwagon? “It’s not my bandwagon,” he shrugs. “I jump on somebody else’s bandwagon, and somebody else jumps on mine. It’s a continuum.”
Bordin, says he didn’t consciously modify his style when he started performing with Ozzy in the wake of Faith No More’s 1996 dissolution, but that some mental adjustments were required: “Faith No More had heavy songs, but we weren’t comfortable being a straight metal band. But playing ‘Goodbye to Romance’ and ‘Crazy Train’ with Ozzy had none of that irony. It’s just straight-up, white-boy metal. My challenges were to play it faithfully and make it interesting. You’ve got to be open to doing whatever you have to do to make the music work, rather than saying, ‘I’m going to do it my way or else."
Does Korn, with whom Bordin has toured for the last year, triangulate between those two attitudes? “To some extent, yes,” he says. “When I joined Korn, I definitely perceived common starting points, so I felt pretty comfortable. But Korn takes everything to greater extremes. It’s like the difference between a Model A Ford and a Porsche Turbo Carrera. It was an exciting time to play with those guys, because they were a little vibed about playing in front of 70,000 people each gig opening for Metallica. But they stepped up to the plate, and they were amazing.”
Asked about his influences, drummer Mike Bordin mimics Marlon Brando in The Wild Ones: “Influences? Whaddaya got?”
One unvarying aspect of Bordin’s style is his unconventional setup. “I’m left-handed,” he says, “but I use my right foot and play with the hi-hat on the left like a right-handed person would. But my ride and China cymbals are also on the left, while the toms are arranged right-handed.”
Another constant is Yamaha drums. “I’m a good Yamaha boy,” grins Bordin. “I’ve always played them. All Yamaha drums are totally hand-made. Most other companies start with pre-made shells and Taiwanese hardware, but Yamaha makes the shells and hardware themselves. It’s quality stuff.”
and Regarding for Hardware.
"I trust Yamaha hardware night after night to stand up to the stress of touring, wear and tear of live shows, and even to support the occasional Lead Vocalist front flip off a full Marshall Stack and landing directly on the Rack…with only slight damage to the singer."
Mike Bordin has kept using the Yamaha drum since he tried to play and liked the Yamaha drums in brown color that he had found at the musical instrument store in Oakland in 1978. Now he is using Oak Custom for recording with several bands, such as "Faith No More", or for performance tours all over the world. Yamaha marketed his signature snare drum SD6465MB in 2004. A kind of special hammering was processed on the lower half of the 2-mm thick copper shell for him who is known as a power hitter, which eventually enabled the snare drum to sound richer and bigger in various directions.
Message From Mike Bordin
Seria Live Custom została zaprojektowana głównie z myślą o perkusistach występujących na żywo. Bębny Live Custom są wykonane z 1,2mm warstw drewna dębowego, które są o 10% cieńsze od drewna zastosowanego w naszych zestawach Oak Custom. Korpusy bębnów basowych składają się z ośmiu, zaś tomy, floor tomy oraz werble z sześciu warstw drewna. Live Custom zapewnia doskonałe, jeszcze potężniejsze i głębsze brzmienie. Dzięki zastosowaniu nowych innowacyjnych pomysłów konstrukcji hardware`u, bębny te są jeszcze stabilniejsze i bardziej wytrzymałe. Brzmienie drewna dębowego charakteryzuje się jasnym i klarownym basem. Dzięki Live Custom zawsze będziesz miał tłuste, bogate brzmienie oraz doskonałą prezencję, bez względu na to czy użyjesz go w studio nagraniowym, czy na scenie.Dostępne inne kolory
Werble ze stali nierdzewnej Recording Custom
Recording Custom Snare Stainless Steel Models.2 size variations.
The basic HEXRACKII set consists of two legs and is fully compatible with Yamaha System Hardware.Compared to a typical hardware setup, the HEXRACKII uses less space and reduces floor clutter produced by stand legs, etc., around the kit. The system’s pipes and racks are made from aluminum, which makes the system lighter, transport and setup easier. And with a wide variety of optional clamps available, the rack system offers great expandability.
Other Drum Artists
Anton was born in Cape Town, South Africa, and started playing the drums at age four. He moved to Boston in the USA when he was 17 and studied both jazz and classical music at the New England Conservatory, graduating in 1975. The following year he moved to New York and began making his name as a freelance musician. He soon met Letterman show MD Paul Shaffer on a session for Joan Armatrading, but it was almost ten years before he got the chance to join Shaffer on the Letterman show.
Born in Colchester, Essex, Rowntree was born to musical parents – Susan, a viola player, and John, a sound engineer at the British Broadcasting Corporation (BBC). He attended the Gilberd School, Colchester during the week, and the Landermere Music School, Thorpe-le-Soken, at weekends, where he studied percussion. He played percussion with his father in the Colchester Silver Band, a brass band.