Darko Karlečik
With a network of Artist Centres and Ateliers around the world, Yamaha works with leading players to support their performances and develop instrument designs and new ideas for the benefit of all musicians. Yamaha Artists share with us a passion for inspiring the next generation of players, and a belief that everybody should be encouraged to nurture their talent, connect with others and tell their stories through music.
Get to know Yamaha Artist and Percussion Player Darko Karlečik
Statement about your relation with Yamaha or your instrument:
I still fondly remember my first encounter with the Yamaha Marimba (YM-5100A). The richness of its sound—ranging from the softest pianissimo to the fullest forte—and the perfect balance between the bass, middle, and upper registers, was unlike anything I had ever heard before. After years of playing, my focus shifted to its larger sibling, the remarkable YM-6100. To unlock its true potential, I had to adapt my technique, but the time spent doing so was well worth it. I have never been more satisfied with the possibilities that a single marimba can offer.
How does your instrument help you in your daily life as an artist?
Having an instrument like the YM-6100 is a privilege. Its rich colorfulness inspires me every day and pushes the limits of my own creative ideas for performance.
How would you characterise your instrument?
The best there is, without a doubt. It sounds perfect in every situation, with flawless pitch and excellent sound projection. It’s also practical for transportation and has a beautiful design.
Who was your most influential teacher and is there any advice which you still follow?
The most influential teachers in my life have been my university professors, Nebojša Jovan Živković and Srđan Palačković. Both guided me through the world of percussion and prepared me for a life as a musician.
Advice for a young musician:
Practice is essential, but it’s not enough on its own. To truly expand your personality, read, learn, and explore as much as possible—not just about music. To understand the music you're playing, you must understand far more than the notes on the page.
